In Lucas Mann's trademark vein—fiercely intelligent, self-deprecating, brilliantly observed, idiosyncratic, personal, funny, and infuriating— Captive Audience is an appreciation of reality television wrapped inside a love letter to his wife, with whom he shares the guilty pleasure of watching "real" people bare their souls in search of . Lucas Mann's "Captive Audience" is a multifaceted defense — part scholarship, part memoir — of a derided genre.
Find many great new & used options and get the best deals for Captive Audience : On Love and Reality TV by Lucas Mann (2018, Trade Paperback) at the best online prices at eBay! In Lucas Mann's trademark vein--fiercely intelligent, self-deprecating, brilliantly observed, idiosyncratic, personal, funny, and infuriating--Captive Audience is an appreciation of reality television wrapped inside a love letter to his wife, with whom he shares the guilty pleasure of watching "real" people bare their souls in search of celebrity. Captive Audience is a loosely structured set of essays that move between time and location and seeks connection and meaning in our lives. In Lucas Mann's trademark vein--fiercely intelligent, self-deprecating, brilliantly observed, idiosyncratic, personal, funny, and infuriating--Captive Audience is an appreciation of reality television wrapped inside a love letter to his wife, with whom he shares the guilty pleasure of watching "real" people bare their souls in search of celebrity. In Lucas Mann's trademark vein--fiercely intelligent, self-deprecating, brilliantly observed, idiosyncratic, personal, funny, and infuriating--Captive Audience is an appreciation of reality television wrapped inside a love letter to his wife, with whom he shares the guilty pleasure of watching "real" people bare their souls in search of celebrity. It's Mann's third work of nonfiction: his debut, Class A , focused on the lives of the players of a minor league baseball team based in Iowa.
Piquant Photo. In Lucas Mann's trademark vein—fiercely intelligent, self-deprecating, brilliantly observed, idiosyncratic, personal, funny, and infuriating— Captive Audience is an appreciation of reality television wrapped inside a love letter to his wife, with whom he shares the guilty pleasure of watching "real" people bare their souls in search of .
), is enlivened and distinguished by the author's genuine appreciation for the genre's form and content. This one, by Mann (Creative Writing/Univ. Lucas Mann Captive Audience: On Love and Reality TV "incomparable" Maureen Ryan The Chicago Tribune "sometimes spends too much time visiting with his neighbors" my second grade report card "I was thoroughly impressed with Andy's ability to put my students and I at ease and allow us to engage with the improv activities comfortably and . Its first sentence suggests several of the layers on which its title works . Lucas Mann, author of Captive Audience: On Love and Reality TV. Captive Audience offers the pleasure of reading all these things: memoir, lucid cultural analysis, TV Guide, journalism, and, most of all, glorious love letters hurting with shared joys and naked vulnerability." —Amitava Kumar, author of Immigrant, Montana. . Lucas Mann is interested in everything. In Lucas Mann's trademark vein—fiercely intelligent, self-deprecating, brilliantly observed, idiosyncratic, personal, funny, and infuriating—Captive Audience is an appreciation of reality television wrapped inside a love letter to his wife, with whom he shares the guilty pleasure of watching "real" people bare their souls in search of . He is also the author of Lord Fear: A Memoir, which was named one of the best books of 2015 by The Miami Herald . On "Meting Out Intimacy:" A Conversation with Lucas Mann . I think that if it doesn't feel, even just for a moment, like a secret joy or burden to unload, then why say it?" Mann's structure throughout is deliberate . Lucas Mann was born in New York City and received his MFA from the University of Iowa, where he was the Provost's Visiting Writer in Nonfiction. Interview conducted by: Ruby Al-Qasem . Lucas Mann always writes openly, even ecstatically, at the boundaries of the essay form. Lucas Mann is the author of the forthcoming book Captive Audience, which will be published by Vintage in May 2018.His previous books include Lord Fear: A Memoir (Pantheon, 2015), and Class A: Baseball in the Middle of Everywhere (Pantheon, 2013), which earned a Barnes & Noble Discover Great New Writers Selection and was named one of the best books of 2013 by the San Francisco Chronicle. In Lucas Mann's trademark vein--fiercely intelligent, self-deprecating, brilliantly observed, idiosyncratic, personal, funny, and infuriating--Captive Audience is an appreciation of reality television wrapped inside a love letter to his wife, with whom he shares the guilty pleasure of watching "real" people bare their souls in search of celebrity. His latest book is Captive Audience: On Love and Reality Television (Vintage, 2018).
of Massachusetts Dartmouth; Lord Fear, 2015, etc. Intelligent musings on reality TV and marriage. Captive Audience is at once less and more personal than its predecessor. In Lucas Mann's third work of non-fiction, Captive Audience: On Love and Reality TV, he makes just that case, examining the oft-maligned subject with heart, wit, and the unsparing, clear-eyed intelligence that he displayed in his first two books (about, respectively, an Iowa minor league baseball team, and his brother's struggle with .
In Lucas Mann's trademark vein—fiercely intelligent, self-deprecating, brilliantly observed, idiosyncratic, personal, funny, and infuriating—Captive Audience is an appreciation of reality television wrapped inside a love letter to his wife, with whom he shares the guilty pleasure of watching "real" people bare their souls in search of . Lucas Mann is the author of Lord Fear and Class A: Baseball in the Middle of Everywhere.His essays have appeared in Guernica, BuzzFeed, Slate, and The Kenyon Review, among others.He teaches creative writing at the University of Massachusetts, Dartmouth, and lives in Providence, Rhode Island with his wife. All of his books, regardless of subject . The final chapter of Captive Audience was written after the election of Donald Trump, and it ends by posing more questions, both about the dangers of passivity when encountering media and about . In Lucas Mann's trademark vein—fiercely intelligent, self-deprecating, brilliantly observed, idiosyncratic, personal, funny, and infuriating— Captive Audience is an appreciation of reality television wrapped inside a love letter to his wife, with whom he shares the guilty pleasure of watching "real" people bare their souls in search of celebrity.
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